WICKED the Musical
Rejoicify Melbourne! Tickets for “Broadway’s Biggest Blockbuster” (NY Times) at the Regent Theatre are on sale from today for performances from 6 March 2024. Earlier this week, the massive WICKED hot air balloon flew over Melbourne, heralding the return of this glorious show to its original Australian home, and Lord Mayor Sally Capp was on hand to welcome the two stars, Courtney Monsma and Sheridan Adams, to Melbourne.
Almost 20 years since its premiere on Broadway, WICKED remains one of the most successful and popular musicals in the world. Winner of over 100 major awards including the Grammy Award, the Olivier Award, six Helpmann Awards, three Tony Awards® and six Drama Desk Awards, WICKED is “A Complete Triumph! An original musical that will make you laugh, cry and think” (USA Today).
The musical has played in 16 countries around the world including Japan, South Korea, China, Hong Kong, Singapore, The Philippines, New Zealand, Mexico, Brazil, Germany, the Netherlands and the UK, and has been translated into six languages. WICKED has become the 4th longest running show in Broadway history (surpassing CATS).
The novel Wicked by Gregory Maguire, published in 1995, has sold 5.5 million copies, with 5 million of those sold since 2003 when the musical opened. Buoyed by the musical’s success, the novel has appeared on bestseller lists for close to two decades since its initial publication.
Producer John Frost for Crossroads Live on behalf of his co-producers, said, “We’re thrilled that WICKED will return to its original Australian home at the Regent Theatre, and by the extraordinary numbers on the ticketing wait list, Melbourne audiences must be thrilled too. A proven blockbuster all around the world since it premiered, it has become one of the most loved musicals of all time. WICKED is a musical phenomenon and appeals to everyone from 8 to 80. People love it for so many different reasons – some come for the engrossing story, some for the astonishing sets and costumes, some for the soaring ballads, some for the deeper messages, and some to see the life-affirming friendship between the two young women who grow up to be Glinda the Good and the Wicked Witch of the West. Get your tickets Melbourne, as they’re sure to be snapped up fast.”
The stellar Australian cast is led by Courtney Monsma as Glinda, the bubbly popular girl who becomes “Glinda the Good”, and in her debut in a lead role, Melbourne-born Sheridan Adams as Elphaba, the girl born with emerald-green skin who grows up to become the “Wicked Witch of the West”. Robyn Nevin plays the role of Madame Morrible, Todd McKenney is the Wizard, Liam Head plays Fiyero, Adam Murphy is Dr Dillamond, Shewit Belay plays Nessarose, Kurtis Papadinis is Boq, and Zoe Coppinger is the Elphaba Standby.
The talented group of performers comprising the WICKED Ensemble and Swings includes Christian Ambesi, Conor Bann-Murray, Brittany Carter, Olivia Castagna, Eli Cooper, Matt Cranleigh, Joseph Donovan, Sage Douglas, Bayley John Edmends, Todd Jacobsson, Rohan Khanna, Andrew Kroenert, Elisha Zion Lee, Jordan Malone, Emily Monsma, Matilda Moran, Jackson Reedman, Amelia Sanzo, Edward Smith, Ksenia Teliatnikova, Lucas Van Rhijn, Jessica Vellucci, Mietta White and Jun Woodfield.
Long before Dorothy dropped in, two other young women meet in the land of Oz. One born with emerald-green skin is smart, fiery, misunderstood and possessing an extraordinary talent. The other is bubbly, blonde, ambitious and exceptionally popular. They become rivals, then friends…until the world decides to call one “good” and the other one “wicked.”
“If every musical had the brains, heart and courage of WICKED, Broadway really would be a magical place” – Time Magazine
“WICKED’s production values are exceptional. A POWERFUL PIECE OF THEATRE” – The Australian
“WICKED is splendiferous as ever! The show works because it explores the complexity of moral choices and the prices we have to pay for making them. It’s a reminder of how musicals can support complex stories when you have a book writer of the quality of Winnie Holzman, great songs by Stephen Schwartz and a rich, visually splendiferous production, as directed by Joe Mantello. And, of course, the green girl and the blonde girl, as they refer to each other, are everyperson figures. We’re all either one or the other.” – Chicago Tribune